Tuesday, August 9, 2011

excerpt from "Dying Light" -- Hidden



That storm still brewed in his head now and then. It came back at the most pressing times – that horrible scene, those cold winds, the pounding of his heart, the tingling in his fingers – when his stress was highest, in those moments when he once again felt the world pressing in and threatening to strike. Right now the storm was brewing and the world pressed in on all sides as Michael ducked into a cul-de-sac and took a deep breath.

Outside, on what had been Pratt Street in the 21st century, the winds whipped down the wide avenue and whistled through the ground clutter. Long ago what was once home to the bustling Baltimore Inner Harbor and the multi-use Harbor Place, once renowned as magnificent inner-city waterfront, was now awash in decay. Now, a high but crumbling wall blocked off frothy waters, and cloudscrapers climbed into the roiling sky, throwing the lowest levels of the city into shadow – narrow alleys between shacks and lean-to’s, small shops erected out of little more than scrap plasti-steel welded into place or molded carbon fiberboard pieces riveted together. People of all shapes and sizes filled these narrow spaces, pouring out of their cubes in the morning, crowded together like ants trapped under glass – the nooks and crannies of poverty in the Lowers. They moved with the flow of the day, gathering sustenance, picking up work where it could be found, garnering what money they could or bartering for goods and services. Some were wrapped in plastic coats to ward off the perpetual drizzle underneath the crosswalks and sky rails of the higher levels of the city; others protected themselves with cheap parasols and umbrellas, huddling underneath them with packages or children, valuables safely out of the wet. Eyes darted to and fro from under hoods and hats in search of threats or rewards, mouths moving in greetings or retorts, haggling for wares, chanting the prayers of the Lighter, mouthing tunes from the interweb stations. The Lowers moved with a unique, somewhat frenzied rhythm as if the life there was always on the verge of being extinguished. Here the names of streets and alleys hardly mattered, only the next day’s meals, the warmth of the cube, the imminent changes of territory between gangs of savage boys.

Michael inhaled deeply, breathing in the pungent, salty air as it swirled between the plasti-steel giants. Michael closed his eyes and willed his body to relax. Escalation demanded greater command of one’s body and mind, and the situation had escalated since the moment the security forces had put their hands on him. Even now he could hear the whoosh of hovercars overhead. Escalation. The Praetorian would have been called in by now, and they would be trying to lock down the whole district. He’d seen it happen so many times before – studied the decrypted files hacked from the local security networks, but never once had the net fallen over him. Every time a vampyre was compromised – and it happened only rarely – Charlotte had an after-action case study prepared from the stolen reports and data she or Christian had collected. The response pattern was the same; the response time, as well – predictable but still very dangerous – very thorough. Very few vampyres, once discovered, were able to escape. If there was anything he’d learned from the studies, it was simple: lose the broadband.

He pushed back his sleeve and looked at his scarred left forearm. It was already healing, the skin a bright pink, but it would be a while before the area looked as if the device had never existed. A fresh infusion of blood would change that quickly, but it wasn’t a concern, and there was nowhere to get it either way. To take it from another person, a human, was unthinkable, and while that might become a necessity in the near future, it wasn’t an option unless it was a dire situation.

He slid the sleeve down again and half-heartedly scratched at the spot over the top of the cloth. It would be nice to have the broadband – he could use a pick-up, a quick drop and load, but it was for the best that the broadband was gone.

After the third track down/take down of a member of the coven, he’d seen the greatest danger to the coven – the ability of the security forces to track a DNA signature. It was clear as day in the last incident’s case study, and he’d immediately gone back to the previous data to look for the same pattern. It had been there – somehow missed before, but more importantly now perceived and recorded – contact, flight, chase, identification of the fugitive’s DNA signature and subsequent trackdown and kill. Once the code was isolated, the myriad pick-up sites that would read the data for any number of reasons – usually for advertisements, newsfeeds, or currency exchange – would provide a track that officers could follow and would eventually lead to the perpetrator. There was no way around it if the fugitive didn’t know how he was being tracked. Even the safest hideaway was easily discovered when the runner left a trail of virtual bread crumbs behind. Each case study was unique, but each pattern and each result was the same: vampyre tracked down and terminated. If Isaac’s tech team had not tweaked some of the broadband code, causing the device to self-erase all data in case of death, they might have been in real trouble and on the verge of extinction.

As it was, there were only a few hundred vampyres left in the city, and all of them had been given evasion training along with the broadband protocols. “When in doubt, rip it out.” Michael had laughed at his invention at first, but silly, simple catch phrases had worked well in the 21st century and would still work well. A few thousand had been reduced to a few hundred, and that called for greater security, additional precautions and finally desperate measures – his infiltration into the heart of the city government and ultimately to within an arm’s length of The Council.

Maybe that’s it. Maybe she’s angry and secretly trying to get back at me.

The thought hadn’t entered his mind, but it suddenly made sense – a theory, a premise – nothing more, but something to think about, something to consider. He was sure the Premier had been furious, at least somewhat embarrassed and humiliated, when she’d found out – after the deal had been struck – that the vampyres had had a man on the inside, someone in fact very close to The Council, and someone who had even spoken with her a handful of times. How else would they have found out about her condition and approached her to make her an offer she couldn’t refuse? No name had been revealed, no direct connection established with him, but there was little doubt that when Michael ceased to return to work after the deal had been struck, he was indeed the spy.

He’d waited in his flat since that day – no reporting to the coven – furlough, vacation, leave of absence, whatever he wanted to call it, but the Lord of the Vampyres, the man he’d protected since that bleak, windy day, had ordered him to go into “cooldown” mode and wait. There was wisdom in that decision. Would there be blowback? Would there any repercussions or reflections? There was no way to know. The Premier was a proud woman, even though she had been beaten down by her cancer and was desperate. Still, her zeal in combatting the “vampyre threat” had been tempered by reality – Michael had seen it himself over the last year – and there was something to be said for second chances, Willem had remarked, and getting a first-hand look at your own mortality. They’d each been given that look and a second chance, and he wasn’t inclined to deny even an adversary the same. The only question that remained now was who it was that had ordered this hit. There was only one way to find out: survive and track back through the clues. First of all, it was time to survive.

Michael let out a quick exhale of warm air over his hands – it was humid, as always, but it was still cold in late December in Baltimore. He pulled the coat he’d snatched tight around him, dragging the hood over his wet hair, and stepped out into the flow of humanity. He needed to disappear in the flotsam and jetsam of the city.

Tuesday, April 19, 2011

the past, the present, and what's coming in the future

Well, it looks like we are all kind of the big loser here. Sorry, but I'm in the same boat. My small publisher has pretty much fallen apart, and that has kind of left me, and subsequently you, in the lurch. What does this mean? It means I can't even tell you how many copies of Dying Light were even sold. It means I have no idea when or if I will ever get paid. It means that part two is not coming out in May.

It means we all kinda got screwed. Yeah well, if you just grumbled, then let me tell you, I've been grumbling, too.

So, here's what I am doing about it. I'm looking at another publisher. I'm looking at a revision of part one, which I actually just started on (more on that in a second), and I'm looking at adding in part two and throwing the whole thing complete and fresh at the world in July (hopefully). Yeah, yeah, I know. Trust me, I know. This sucks, and it's been really disappointing. Trust me, there's nothing I want more than to tell you all the rest of the story, but it's just not worked out that way. And don't think I'm just laughing all the way to the bank because I'm not. It sucked for me, too, but I'm trying to fix it.

As for the revision, some people had a few issues with keeping up with the story. I had always thought that it would be a difficult story to follow, that it would take some "active reading" and real thought to keep up with who is doing what and who is who and what is real and what is a lie. (I even tell you lies in the book, but you won't know it until the end.) So, in the revision I'm going to try and make it a little smoother and easier, not because people can't keep up but because in my own opinion I can do that without really losing any of the complexity of the story. I will change my approach a bit so that everything flows a little more, so the reader has a little more information, and so that there's more to the story that just what the characters can see and hear and feel. I won't that aspect away because I frankly really like that the story is so intimate, but I will pull back a tiny bit and talk more about what is happening outside the characters, and I will ease on the dream sequences and flashbacks and weave them more into the tale as it moves forward. I think it's the right thing to do, and I hope the reader will like.

Also, I'm working on some art for the book, so when part one end and part two begins (between chapters 17 and 18), there will be a few pages of art from a few artists who captured my vision of this or that scene and put it on paper. It think that's a cool idea, and I already have one scene in ink that is fabulous. In fact, once I saw it, I was actually kind of surprised at how the artist envisioned Emily, and at the same time I was pleasantly pleased.

So, there you have it in a rather large nutshell. It seems life has gotten in the way, and so I am adjusting and have to ask you to adjust, as well. This is what happens when working with a small business sometimes, and it's not so bad. We stay flexible, we stay hungery, and we keep working. The good news is that Dying Light, I think, will come out better and sharper than before, and then I can kick on to the sequel, which already has a few completed chapters.

Thanks!

Scott

Thursday, March 3, 2011

letter to fans of "Dying Light" -- what's coming next?

Fans,

First, let me thank you for hanging in there and hanging around. The first book was tough in a lot of ways -- tough on me to keep straight with so much going on; tough on you to keep straight with so much going on; tough to follow up in a timely manner -- as you may know, my original plan was to have part two out just before Xmas so we kept up our momentum and you would have the first 17 chapters fresh in your mind.

Alas, that did not materialize. A computer death and my inability to back everything up caused some rewrite delays. Now there are some publishing issues, which I think will be resolved smoothly and quickly, but they will require some patience on my and your part and will result in about another two month delay. What can ya do? When you work with small companies, which I like to do, these things happen.

The good news is that DL2 is reportedly "13 lengths" better than DL1, and that's good news for everyone! Also, this gives me a chance to dive in once more and make sure everything is as smooth as a baby's butt. In the meantime, I will continue a few projects that will hopefully bring a smile to your face.

The New Baltimore short story endeavor is going to get more focus, and I'm working with a few other writers to develop shorts based on the world of 25th century Baltimore. In addition, there's the art aspect, and I have a very good artist dedicated to drawing up some brilliant illustrations that will make some of the more dramatic scenes in DL1 and 2 come alive in ways you never imagined. Also, this gives me a little more time to go back through DL1, which will be re-released with an update or two, and to finish the 'marginalia' project, in which I am reading through the whole book and making handwritten notes on various things like character and place names, catchwords or phrases borrowed from favorite movies and books and songs, etc., to bring you a more in-depth look at how a writer, or this one, comes up with ideas.

So, as much as it pains me, let's look for DL2 in May, but along the way keep an eye on the blog (www.dyinglightnovel.com) for updates, new contests, information about the developing art side of the story, and new short stories and other related fiction.

Thanks again for sticking with me. I'm doing everything I can to make sure you are getting something good to read.

Scott

Wednesday, March 2, 2011

excerpt from "Dying Light" (part two) -- The Situation Room


//a commentary on today's media and politics//

The doors opened, and Willem stepped into the Situation Room. The name of the room had always seemed appropriate since the first day he’d walked in. Perhaps it was the low lighting, throwing dramatic shadows across the room. Perhaps it was the bank of screens along the wall always flowing with rivers of information. Still perhaps it reminded him not so much of the Situation Room from the White House, a place he’d visited more than a few times, but more so the kind of room that Hollywood had often put together to wow its audience. It was entirely too fancy, too connected, and simply too “high tech”. What had always been needed when the stakes were high was not a snazzy room full of gadgets with 24-hour access to every event in the world, not a place to filter the information, but a place to deliberate away from distractions.

He slid into the cool comfort of the black leather chair at the head of the table, and looked around, his normal scowl in place. Too much information. It wasn’t information that made decisions; it made decisions possible. In the end, when it was time to make a decision, one had to cut off the flow of information, take what was given and then make a choice. So often he’d seen others standing by, always waiting for the next piece of the puzzle. He’d seen indecision marring faces of advisors as they’d waited for that last tidbit to come in, the one that would make decision-making unnecessary: a bomb exploding, a remark by a foreign leader, an aggressive action by a terrible power. His questions had always been simple: what can you tell me? But the answers seemed always to be complicated or over-the-top – information overload. To have a decision made on the data one provided meant taking some responsibility for that decision, taking a chance. And as the 21st century wore on, as the media was more involved and public opinion became more and more a force to reckon with, people were less and less willing to take on that responsibility at the risk of being held accountable later and having to shoulder the blame if things went wrong. CNN, Fox News, Al Jazeera, All-World News – they steam-rolled weak leaders and dissected every decision, the worst kind of Monday morning quarterbacking! And public opinion polls, a new one for seemingly every single news story, were worse.

The people in the room now didn’t fit that mold. After what seemed like an endless revolving door of the pretending and petrified in the last days of the United States of America, he’d no longer had the patience for the fearful and indecisive. Their faces slid across his mind one by one, calm, eager visages from the early years when he’d held his post in Congress; then gradually they grew less confident as time wore on and circumstances began to shake the foundations of the world they knew and trusted – the assassination of Alex Tribault, the success of pan-Islamism, the third World War, and finally the horrifying reality of the Blood Virus.

He shook his head almost imperceptibly, pushing away those thoughts. He couldn’t blame those people for being afraid – they had a job to do, and they’d done it to the best of their abilities. In the end, it was his responsibility; those decisions were his to make, and he was the one that would be accountable, and he’d step up and answer for what he did. It was all he could do, and after all, that was nearly 400 years ago.

Monday, January 31, 2011

in the sequel to "Dying Light", New Baltimore will burn



Yes, this is a compilation from YouTube of the recent riots in Egypt, so I place it here as an inspiration to myself. In Midnight Sun, the sequel to Dying Light, New Baltimore will undergo a massive revolt and everything that we thought was going to be solved is going to be completely undone. Where will that leave our characters? It will leave them and everyone else scrambling for cover.

I'd planned out some time ago where I wanted the story to go, but I like to use images and music as inspiration to get a feel for scenes and events and emotions, for color and sound, for reminders of little details that make a scene so real and so moving, and these events in Egypt are going to help me do that. I admit that I feel like it's a kind of exploitation, but since I always have a message in my writing, a number of themes going, this will just help me to get there, and the misery my fake world feels will reflect the misery the Egyptians experience -- my best to them both.

Wednesday, January 19, 2011

"Dying Light" quiz -- these are the answers you were looking for


A collage (From the French: coller, to glue) is a work of formal art, primarily in the visual arts, made from an assemblage of different forms, thus creating a new whole.

There are other ways to form a collage, and in my own way, as I have noticed more and more artists/writers/designers doing recently, I have added into my work a number of things that I've loved over the years, things that really stuck with me. Whether it be references to personal things, names of friends, names of places I've been, where I used to live, song lyrics, movie lines, etc., I squeezed them in here and there to make my novel more personal and, as every writer does through his work in one way or another, demonstrate some of my values.

Doing this was fun, and I felt that it made the book more special because it was more personal that way and including those things made it even more like reading a part of me, plus it was just fun to play with the reader a bit and give him something else to experience.

I put together a quiz for part one a while back, and I held out giving the answers for a long time so people would have a chance to read and try and discover these things for themselves, but I figured now is as good a time as any to put out the answers because part two of the book is starting its downhill roll, and the bottom (publication) is not far off.

So, without further ado, I will repost the questions below and address each answer. Enjoy!

1 -- What is the name of the only eating establishment mentioned, and why is that significant?

The only eating establishment mentioned in the book is the Sucker Punch. Why is that significant? Truthfully, it's not. I just wanted something dynamic and interesting. It's where Emily catches the one meal we get to read about. The interesting thing, if not important thing, is that later this year a movie called "Sucker Punch" is coming out, and it's about a young blond woman who had this fantastic adventure. It looks very cool, and seeing her as this late teens young woman, it reminds me very much of my character.

2 -- Why is the President's Secret Service codename fitting?

"Bookworm" is fitting because Willem Caisson, the last President of the United States, was known throughout his childhood for always having a book on-hand and usually reading it when he should have been doing other things, like dating. As a result of his love for books, he also minored in Library Sciences in college. Originally I was going to make him a teacher, but he went into law and then the Army before politics. Nevertheless, his efforts to restore the Library of Congress following the dissolution of the United States put him right up there as possibly the most important librarian ever this side of Thomas Jefferson (and if you know your history, you will know why).

3 -- From what artist/song is the announcement of the "New Republic" taken?

Prince's "Seven" is the inspiration for this. I had been listening to it quite a bit at the time of writing this part of the book, and it had a decidedly Biblical tone to it. Then when I looked up the lyrics and the background of the song, I realized that it would be an ideal model for the "sermon" given by the New Republic, the announcement that would set the city ablaze with worry. Check out the lyrics hereand you will see. This song also inspired me to make the number of Council members seven and the number of city/states in the former United States seven -- 777.

4 -- Which of the characters shares the name of a real person known to the author?

The only character is Emily. It's my daughter's name, and poor insane Emily (the character) has no relation to her in any way other than that. It was suggested that I change it to Sophia because of the horrifying person that Emily is in the book, and for a short time I did, but I changed it back. Obviously I liked that name for a reason.

5 -- Which of the non-characters?

Non characters include a single mention of my friend Sandra Mato, who I also mention in the acknowledgments as a super supporter while I was writing "Dying Light". Also, Robert Nicholson, who was one of my best friends in high school and college and later the best man at my wedding, and who tragically died as a result of kidney failure in 1996, gets a pretty big part. By including him here and using nothing more than his name, I thought it would be a nice tribute to a guy that never really had a chance to get out there and live.

6 -- What favorite book is shared by a "Dying Light" character and the author?

The Count of Monte Cristo -- in a flashback, Willem finds this book nearly burned and takes it with him to include in his collection at the Library of Congress. This is my favorite book, and its bittersweet ending is something that has always influenced me to end my stories in a less than tidy and "every one lived happily ever after" way.

7 -- In what movie can you find Rix's line "In the pipe, five by five"?

This one should have been easy; this is a line from the pilot in Ridley Scott's "Aliens" movie as the space Marines are flying down to the surface of LV-426 for the first time. This is without a doubt my favorite movie of all time, and I've seen it may 600 times (because I often put on movies and turn off the sound when I write to just set the mood with the lighting).

8 -- What symbol is used as a metaphor to describe the beginning of the end of the United States of America?

In an early flashback, in the inauguration scene, Willem sees the American Flag ripped from the flagpole by icy winter winds just after the inauguration goes bad. It's this moment that he considers the beginning of the end of modern 21st century civilization.

9 -- What fictional location is lifted from a famous movie? What's the name of the movie?

OK, I lied -- along with "Aliens", "Blade Runner" is my all-time favorite movie, and I have seen it a zillion times and turn it on regularly when I am writing. At the end of the movie are perhaps the most perfect lines ever uttered by an actor in a scene, which you can watch here. The answer is "Tannhauser Gate", which is the most elegant, affluent area in New Baltimore.

10 -- Identify one of the anagrams used in the book and the name of the related movie.

There are many, but I will say that each of the major corporations headed by CEOs who make up the Council are named after or are anagrams of famous fictional companies found in movies and books, including "Aliens" and its infamous "Weyland-Yutani Corporation". I could have just come up with original names, but again, I wanted to pay tribute to some things and have some fun with it.

So, that's it then for these questions.

There are a number of other references, Easter Eggs, puzzles and little cutesy things that I put in part one, and in part two there are even more. Pay close attention to the names, to places, to items. As a writer, I must first be a very keen observer, and there's no way to ever shut out things you've seen. You just have to borrow a little of what you like, give it your unique spin, and go with it. Meanwhile, why not show some love to the things that deserve it, and give the readers a little more bang for their buck.

Tuesday, January 18, 2011

writing, editing and revision, or the trials and tribulations of "Dying Light" (part two)

Photobucket


Ack! I thought I'd never get done with part two. The crazy part is that I'd already written it. That said, I had some rewriting to do because when I got to the end and went back through my notes and thoughts for the book, not to mention where I see the sequel going, I thought it would be best to make some changes.

It also didn't help that of the changes made, a lot were lost when my laptop faithfully committed suicide and ate a few of the chapters that had gotten healthy revisions. Thus, I was a little put off and not so ready to sit down and re-re-write. I'm sure you can imagine.

So, it's done, and now the final chapters are about to roll out to my four beta readers, who will hopefully not shred me and yet hopefully not just tell me it's wonderful. I'm hoping for something somewhere in the middle, some smart constructive criticism and a bunch of 'yes, I totally got that part' responses.

It's especially crucial to test the waters when one is writing a novel like this. Not only is it complex with a lot of story lines intersection, but the way I put it together, only letting the reader see what each character sees and not spelling it out directly most of the time, means that I have to make sure I included everything. I often compare this to writing a test. As a teacher, I already know what the answers I'm looking for are, so when I go to build the questions, I have to make sure I included all the information necessary to lead the student to the right answer without giving it away. This thought process works the same for this book. I hide things on purpose, build a puzzle that the characters must solve, but with them, the reader must be able to follow and solve the puzzle, too. If I give too much away, then the answer will be too easy and the student won't need to read the whole question or work too hard; likewise, the reader will guess the outcome and not have to read through the whole book to get there. No one, teacher or author, wants the recipient of his work to skip to the end and know that yes, he guessed right; the answer was "a".

So, testing the waters now and seeing if the sharks come feed on my chum. Hoping to clear up a few little "oh shits" before the general public gets it, and happy to reward some very good friends and supporters of my writing with an advanced look and a chance to see right now how the story ends.

I can't wait to share it with the rest of you. Looking at mid-March for that. Stay tuned for a little more editing, and then look for the cover at your favorite online bookstore.